metapolitics

The wreckage of design. On Alejandra Castillo’s Antropoceno como fin de diseño (2025). by Gerardo Muñoz

Only in rare occasions the operation of thinking finds angular or lateral points of escape. This is the gesture that characterizes Alejandra Castillo’s theoretical writing, and is particularly bright in her most recent book Antropoceno como fin de diseño (La Cebra, 2025). The zigzagging entry is an intuition that is also a guiding thread: the force of real subsumption of capitalist domination depends on the operation of design. Of course, in design one hears not only blueprint and form, but also designation, and thus the specular regime of visibility, orderability, quantification. It is the world of physiocratic forestry. In fact, Castillo’s succinct definition of the metapolitical condition of design is offered to the reader at the entrance: “Design is the figure that thinks always in advance (por adelantado) (Castillo 12). Design calculates and locates. It is through the operation of design that legibility becomes adequated to political representation so that the state can manage and attenuate the deployment of its forms and the circulations of relations of totality (Castillo 13). The design is what is common to the worker, the engineer, and the lawyer. This is why design for Castillo design is an efficacious nexus that connects the separation of objectivity and the life worlds. Understood in this sense, “design” is analogous to the enframing of the world that intensifies in the age of technology and rhetoric. But in the watershed of the end of modernity, the hegemony of design collapses, while it becomes a temporal “self-design” submerged in all spheres of expressive enactments. 

The end of the second vector of the zigzag outlined in the essay is found precisely at this conjuncture: the anthropocene brings the humanist projections and design to a final wreckage. This is means that capitalist form is not formless because it has managed to subsume the time of life as exception to labour; time is a wreckage because design no longer coincides with the world of forms, as it has temporalized experience into total transparency without reminder. For Castillo this means that in the anthropocene there is no longer “struggle for visibility”, as everything has been rendered exposed and hollow; de-substantialized in the very fabric of subjectivity (in the early millennium some called this new hyperbolic figure the Bloom). Implicitly in Castillo’s writing is the assumption that the mediation between politics and design has been severed, and the new securitarian imperium can only immunize itself against the very site that in modern times granted its legitimacy (civil society, constituent power) (Castillo 37). 

The end of design means the absolutization of design, a new carceral imperative for adaptation that makes any claim to subjectivity an endorsement of the prison of the ego. To live in a post-designed unworldly condition means not only to come face to face with the homogenous space of cultural exchange into image; it is also a new imperative that requires that “you must submit, without knowing to what; subject to what is the case anyway, and which, as a reflex to its power and commonsense, everyone believes anyway” [1]. The end of design paves the way for new plastic forms of domination towards an integral planetary unity. 

Bordiga claimed throughout his work that the democratic design was perhaps the best fitting system for the versatility of capitalist accumulation and relentless expansion. This is why in all the political cases that Castillo introduces in a text in a manner of a shadow play do not pretend to offer a new theory of ideology, but rather show how democratic design is a one-piece suit that fits all without any needs for “ideal types” to fix normativity and institutional arrangements. Indeed, there is no longer anything like an “extreme political right” – and this is just a tweak from Castillo’s vocabulary, who does insist on the term throughout the essay – but rightward figures of the political that desperately cling to any form to distract from the abyss of social legitimation. Ultimately, the ruling over this void will be  – in many ways already is – the continuation of war in the social fabric; and stasis will require new stealth development of technologies of containment that Palantir’s Alex Karp has called the new “lethal form”. This means that democratic design is not only expressively a system of sentencing to death; it is in virtue of the exchange of social forms, an inverted negation of human finitude. The point of despair would incite some to look again in the cabinet of forms; a knee-jerk reaction to the irruption of the Anthropocene against the total sum of possible designs. 

Of course, this is also what Alejandra Castillo’s Antropoceno como fin de diseño (2025) avoids at all costs. Towards the last pages of the book, Castillo calls for a transformative turn that departs from the body; a corporeal insurrection that, in refusing the rectilinear and heteronormative political corpus of the modern epoch (no coincidence that Hobbes was both the founder of the autonomy of civil as well as of the physics of the body of matter in space), is capable of responding to the call of the anthropocene in all of its profuse conflictivity. Castillo proposes the necessity to gravitate towards a “maximum distance” against the general design of orderability of public domination (Castillo 77). But this can only be understood as an incommensurable distance that dissolves the ontotheological separation of subject and object of the state of confinement.

The political constitution of a corpus appears as the promise of an exit from the temporalization of the post-auratic literalism that, according to Michel Fried, dominated the structure of the object-oriented work of art, as compensatory to the corrosion of political forms and presentist autonomy [2]. Castillo does not seek to revive a last gasp of auratic objectification, which amounts to the sleepwalking condition of the image world of mere survival. In soliciting a maximum distance to what is closest (in fact, a body), Castillo invites us, as both promise and commitment, to think at the end of nondependency – not the “independence” that carries the traces of the fictitious individuality- from the crutches of design to finally conquer another liberty beyond terror and prevention; a life imbricated in the nonbeing of place (ecology) with others.

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Notes 

1. Thedor W. Adorno. “The Cultural Industry: A Resumé”, in Without Model (Seagull Books, 2023), 58.

2. Michael Fried. “Art and Objecthood”, in Art and Objecthood: Essays and Reviews (University of Chicago Press, 1998), 172.

De Certeau’s untold night. by Gerardo Muñoz

The highest poetic moment in Michel De Certeau’s La culture au pluriel (1974) appears in the concluding pages where the historian resorts to a hunting image: “Culture is an untold night in which the revolutions of earlier times are dormant, invisible, folded into practices – but fireflies, and sometimes great nocturnal birds, cutting through it – as thrusts and creations that trace the promise of another day to come” [1]. This is De Certeau’s trope that stands for culture as opening of possibilities, the shoreline where administrators and technicians (his own terms) do not dare to cross and will probably never adventure. This is the site (the night, la noche oscura, which has a ringtone of the mystical tradition that the author knew perfectly well) where De Certeau wants to posit the possibilities of new struggles of cultural alterities [2]. A book in 1974 means many things, but for De Certeau it is an incursion into the collapse of his historical present, already showing full fledged signs of the crisis of legitimation, erosion of institutional trust, and the decomposition of social forms across Western symbolic realities. It is the nascent confirmation of the ascent of real subsumption, a term that does not appear in De Certeau’s book, although it informs it, even if negatively (the Italian Fiat wildstrikes makes a surprising cameo in the last paragraphs). Where to look, then?  

De Certeau’s answer read today does bring much naivete: cultural alterity. But this notion, which is reworked and contested in concrete fields of human activities (the university and schools, the new technological society and communication, social practices intertwined in popular and elite culture, power relations and post-statist configurations) do not appeal to the identitarian cosmopolitan horizon prima facie anchored in the diversity administration of a well integrated, albeit exploited planetary humanity. One senses that for De Certeau the nineteenth century “Social Question” has become the “cultural question” as the unit of the national sovereign state wanes and reacts. With the crisis of legitimation as backdrop, De Certeau sees the rise of a new subjectivity that he calls the new “militants without a cause”, a battalion of “exiles” that will only tacitly accept credible cultural imprints [3]. He wants to work with “culture” because at bottom De Certeau is both a historian and a realist. This new erosion of civil society-State relations entails a “new exile is in the works” [4]. And for De Certeau the exile, since biblical times, is seeking a new Earth where to “land”. 

In 1974, De Certeau’s invitation was to create the conditions for pluralist cultural landings that will foster, in the night of waiting, a new politics. But, could the same be said today even assuming concrete situations and the infuriating image of migration as a token for the workings of hegemonic politics? Does Gaia not alert us that we must “land” somewhere else on Earth? The anger and dissatisfaction that De Certeau cautiously predicated head on is already here in the form of what some of us have theorized as ongoing social stasis that is integrated in every social mediation. In the global metastasis of the 1970s De Certeau could claim that “behind anger there is the desire to create a polis and a politics; there is a desire to organize the conditions of life….” [5].

We are far removed from this desire, and even the most prominent cycle of revolts of the decade have refused in the solicitation of a new politics or a political horizon; and, even if, almost like weeds in cracks of piled urban ruins, we see again and again the last residues of the desire for hegemonic representation of the totality (the People, the Movement, the Class). In this light – now it is our own epoche – culture can only be compensatory, and still very much a symptom of the closure of exteriority. “Where there is no longer an imaginable outside we lose the possibility of an inside”, Moreiras wrote at the turn of the century against every form of culturalism [6]. Of course, De Certeau was well aware of it, which is why his proposal to cultural alterity retains zones of hermeneutical ambiguity many decades later [7]. For instance, he writes when commenting on neo-nationalist regional movements (Quebec, Catalonia, Occitania) that “cultural claims appear to be a reminder and a compensation” [8]. 

And recent events have proven De Certeau correct: what is Catalan nationalism – whether left or right, although ideological division is not a substantive difference – if not a compensatory rhetorical ruse to mobilize regional political elites to feed off the stagnant resources of a waning state form? The rhetoric of “political foundation” in the Catalan case created an “cultural alterity” that depended on the high illusion of hegemonic politics; a politics solely based on the “bad faith” of escalating and superposing values (“Spanish” v. “Catalan”) as the combustion of a fractured political social contract that ultimately deepens its fragmentation. De Certeau noted – cited with the long Augustunian tradition of political liberalism – that politics cannot bring happiness, but only create its conditions. However, today even this liberal ideal fails to account for its true source: our metapolitical collapse at the twilight of secularization means that the revival of the “social bond” is not to be found in the demand of new political principles, however narrowly or broadly defined. De Certeau in 1974 aspired at giving politics one more chance pulling it to the facticial heterogeneity of culture: “a politics that discovers in the diversity of the sky a generical….linked to the ambition of beginning over again, that is, of living” [9].

And indeed, we must begin all over again, but is really the only possibility? I believe that there are symptoms elsewhere in La culture au pluriel, and these concern language. In the second chapter, referring to the crisis of speech, De Certeau refers to the “denaturing act” of speech, as communication enters the regimen of commercial language and new computational masteries (what Jaime Semprún called neo-language) [10]. The crisis of language in the ascent of a new expressivity renders communication obsolete and obtuse; parasitic, or mushroom-like, as Hugo Von Hofmenthal had already noted in his Letter to Lord Chandos. Speech becomes a new form of blasphemy, something confirmed in recent years in the United States, which takes itself also as the homeland of “Free Speech” is increasingly under heavy surveillance by constitutionalism of codified parameters of “time, place, and manner”.

De Certeau shows himself highly consternated about blasphemous language, which is also conspiratorial language; the language that dwells on the reverse of social normativity and legal codification. But this perhaps the only language today can properly speak of pain without recurring to the transactions of violence; especially of the numbing violence of a neo-language that can communicate “everything” insofar as it ceases to communicate to no one. Could the “untold night”, that is also the night of the “unthought”, be the site of the preservation of another use of language, of nurturing language, descending into the hymnic sources of the sayable – thus, inverting the denaturing of historical severability – a language embedded in silence, in the protofigure of the mystic, assuming “the immediacy of nature and experience, to contact of things, one by one, in their primal disorder”? [11]. Ultimately, whatever the night will tell will only be possible through and in language. 

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Notes 

1. Michel De Certeau. Culture in the Plural (University of Minnesota Press, 1997), 138.

2. Ibid., 11.

3. Ibid., 7.

4. Ibid., 8.

5. Ibid., 11.

6.  Alberto Moreiras. The Exhaustion of Difference: The Politics of Latin American Cultural Studies (Duke U Press, 2001), 21. 

7. Michel De Certeau. Culture in the Plural (University of Minnesota Press, 1997), 78.

8. Ibid., 70. 

9. Michel De Certeau. Culture in the Plural (University of Minnesota Press, 1997), 100.

10. Jaime Semprún. Defensa e ilustración de la neolengua (Ediciones El Salmón, 2018). 

11. Nicola Chiaromonte. “An Age of Bad Faith”, in The Paradox of History (University of Pennsylvania Press, 1985), 148. On the hymnic dimension of human speech, see the study undertaken by Nicoletta Di Vita, Il nome e la voce. Per una filosofia dell’inno (Neri Pozza, 2022).

The metapolitical collapse. by Gerardo Muñoz

We had a very rich and productive conversation this week with Josep Rafanell i Orra around the new and updated edition of his book En finir avec le capitalisme thérapeutique (éditions météores, 2022). But here I just want to entertain an early moment in the book that has some importance for some ongoing discussions. In the introduction that he writes for the new edition, Rafanell engages in a rare and honest exercise in self-critique. This is what he writes:

“Dans mon livre, je défendais une politique du soin. Onze ans après, je me livrerai bien volontiers à une autocritique rétrospective : la politique me semble destinée, irrémédiablement, à devenir une métapolitique, si nous entendons par là l’inévitable ré-institution d’identités qu’il faut représenter. Retour éternel de la police avec la violence de ses abstractions. Je pense que la politique, le politique (que vaut-t-elle encore aujourd’hui cette distinction?) nous condamne à nous absenter des mondes pluriels de la communauté et à neutraliser les effectuations de la différence” [1]. 

A lot could change in a matter of a decade. Indeed, a lot has changed for some of us, and it seems that for Orra it is no different. He is willing to admit it. He is no longer interested in defending a “politics of care” (or a hyperbolic politics), and not because it has become a recursive cliché in the empty chatter of governing metropolitan progressivism (I think of NYC or Colau’s Barcelona), but more fundamentally because the full affirmation of politics today can only contribute to the ever expansive calculative scheme of representational politics; a representational enframing that has become defunct and emptied out with the rise of administrative rationality evolving from the internal premises of political liberalism. It is true that the liberal democratic project from its inception was too weak to deal with indirect powers, and its long-lasting solution has been to engage in practices of optimization and value dispensation. But no amount of social representation can minimize effective domination. No one could defend this except in bad faith. The destiny of politics now transformed into metapolitical saturation can only muster social existence into predatory lines.

But there is another sense in which the metapolitical collapse could be understood. At least this is where I would like to displace Rafanell’s lucid intuition: the metapolitical destiny of politics emerges in the wake of the fault line between the metapolitical conditions of politics and political representation and mediation as such. Obviously, this is the problem that, already in the 1960s, the German jurist Ernst Böckenförde had to confront in his now famous theorem: the liberal state lives through conditions that it can no longer guarantee or promote.

In other words, the metapolitical conditions required for secularization have evolved (now fully realized through the West with different intensities and semblances) into the collapse of society-state mediations, turning to police powers to maintain the ‘one piece garment’ of social life. Theoretically, the dissociation between politics and its metapolitical conditions has led to attempts at generating sedative hegemonies that are always furiously defended – even at the expense of their failures – through rhetorical bravado. So, the decline of metapolitical condition entails the passage from the conditions of social contact to the endgame of the flexible and coercive management of indirect powers.

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Notes 

1. Josep Rafanell i Orra. En finir avec le capitalisme thérapeutique (éditions météores, 2022), 21.

Abendland: on Jean-Luc Nancy’s The Banality of Heidegger. By Gerardo Muñoz.

nancy-banalityJean Luc Nancy’s The Banality of Heidegger (Fordham, 2017) is yet another contribution to the ongoing debate on Heidegger and Nazism, in the wake of the publication of the Black Notebooks in recent years. Originally delivered as a conference on Heidegger and the Jews in 2014, Nancy’s brief essay expounds on other contributions on the topic, such as those by Peter Trawny, Donatella Di Cesare, and the Heidelberg Conference of 1988 (now also available) between Georg Gadamer, Philippe Lacoue-Labarthe, and Jacques Derrida. Nancy’s intervention in the debate is important for several reasons; one of them being that the essay maps the strange career of the ‘banality of antisemitism’ into philosophical discourse. And not just any philosophical discourse, but Heidegger’s discourse, which remained ambitious, as we know, in unleashing a destruction of Western metaphysics for the recommencement of thought. Moving beyond Arendt’s own characterization of banality, Heidegger, in Nancy’s view, is not an administrator that followed the categorical imperative immunized by a bureaucratization of moral judgment. The banality of antisemitism in Heidegger is the displacement of the juridical register into the proper philosophical one (Nancy 2). This is why, for Nancy, the catastrophe of Heidegger’s philosophical antisemitism is a failure that also happened to us in thought, and that it is still very much open as a possibility for us today (Nancy 62). In a certain way, Nancy’s essay also reads as a timely warning for anyone wanting to commit to thinking at all.

Nancy’s point of departure shares Peter Trawny’s hypothesis elaborated in Heidegger and the Myth of a Jewish World Conspiracy (2015) that the Jew possesses absent historiality that does not allow for destinial movement towards soil, decision, and people (Nancy 25).  The technical term for historial, as Jeff Fort reminds us in the Preface, corresponds to weltgeschichtlich, and could also be translated as “world-historical”. This provenance explicitly thematizes the banal anti-semitic myth coming out of the Protocols of the Elders of Zion, but also from Theodor Lessing’s “Jewish Self-Hatred” published in the 1930s. It is hard to know how Heidegger would have not known these works, although harder is to think how they arrived as such a central place in his philosophy. In fact, this is the ‘knot’ of the banality of antisemitism in philosophical thought. The Jew in Heidegger’s thinking becomes metonymic for machination and gigantism, democracy and Americanism. In fact, according to Nancy, Heidegger’s anti-jewish trope might have fallen into what he has called the principle of general equivalence, in which humanity is flattened out by generalities of particular traits that come to represent the total abendland or decline of the West. Nancy writes, rehearsing here arguments from his previous Truth of Democracy and After Fukushima:

“But the machination that gives rise to such a naturalist principle leads in the direction of a complete ‘deracialization’ of a humanity reduced to the undifferentiated equality of all, and in general of all beings. It is interesting to note that the argument is not very far removed from the one in which Marx qualifies money as a “general equivalent” in which productive humanity is alienated from its proper existence and therefore from its value or meaning…[..]. The Jewish people is the identifiable agent, property identifiable (or more properly, a bizarre notion that must no doubt be recognized), of what at the same time is a broad composition of masses and identities, America or Americanism, communism and technics, French, English, Europeans, Germans, even, and “Abendland”, evening, decline, collapse. At bottom, the “decline of the west” is a pleonasm.” (Nancy 15-18).

The consequence of such operation is clear: the principle of general equivalence entails an extreme and unprecedented form of evil. Hence, Nancy concludes, rightly so, in my opinion, that no generality can contain or exempt a true opening from its system. Then, we must assume that there is really no authentic “letting be” in Heidegger’s thought. In fact, the exclusive-inclusive status of Judaism in heideggerianism is hyperbolic to the disastrous limitations of the ‘letting be’ in his philosophy. This will also be consistent with Giorgio Agamben’s reservations in L’uso dei corpi (Neri Pozza, 2014) of the gelassenheit as shorthand for the logic of the political ‘ban’. The philosophical status of the Jew in Heidegger, starting in the thirties onward, is marked by the assumption that the Jew is the main figure (and its gestalt, meaning that is also giving shape) of Western decline. This formulation is only possible from the standpoint of the condition of equivalence. The kernel of equivalence in Nancy’s Banality of Heidegger is the strongest critique, as far as I am aware, directed against Heidegger’s anti-semitism. I say this for two reasons, which are connected to Nancy’s argument, but that I will try to push towards a different direction.

First, if antisemitism is integrated in the principle of equivalence, this allows for thinking the problem of democracy, not abandoning it. This implies that the principle of democracy is not surpassed by Heidegger’s own convergence of the term as identical to the event of the “masses”, “people”, “race”, or “technical development”. Nancy asks the question in light of the “Jew”, but one could also alter the term by asking for the status of “democracy” in Heidegger’s thought. In fact, Heidegger’s politics in the Black Notebooks advance a strong position for a metapolitics of the people, which Nancy does not get to discuss in such a brief essay.  This is consistent with Heideggerian emphasis on ‘original beginnings’ (in the Greek sense, which Nancy does overtly emphasize), amounting to a rhetoric of reversibility. In fact, Heidegger’s position on the Jew is equally grounded in what I would call a metapolitics of reversibility, that is, a firm belief that capitalist democracy is reversible and that there is a, or some, originary beginnings. Heidegger’s antidemocratic metapolitics points to his most extreme failure, since democracy as a practical political arrangement in the name of the singular is always fissured, evolutionary, and opened to contingent configurations in its divisions of power without reassurance for the destinial [1]. This is also why only democratic republicanism can be a politics without metapolitics and without arcana. Heidegger’s thought in the Black Notebooks and elsewhere is anti-democratic as much as it is anti-semitic, or it is anti-democratic because it is anti-semitic.

My second reason: any talk of the past presupposes a sense of history of the human. At one point in the essay, Nancy rightfully points to something not always discussed in Heidegger: “It was important to him [Christianity], therefore, above all not to retain the traces of other beginnings throughout the history of the West, and especially not at the points of its most perceptible inflections (Christianity, Renaissance, the industrial and democratic revolution). At the same time, the rejection or exclusion of the Jews by Christianity aims to reject and exclude something could complicate even disturb the strict Christian initiality” (Nancy 56). Nancy concludes that in Heidegger’s work there was never an attempt to flesh out the differences between Christian dogmatics and non-apologetics, the Church and its forms of communizations. Thus, Heidegger remained oblivious to the survival of Christian forms. In the indiscriminate package ‘Judeo-Christian onto-theology’, the equivalence surfaces as yet another form of emphasizing the course of the destinial sending of the West, while leaving aside a more complicated history proper to the human. Also, since destination was always thought as an aftereffect of errancy, Nancy suggests, following Rigal, that the Heideggerian errancy never abandoned the arcanum of an originary proper beginning and a possible recommencement. This is even stranger if we are to consider Judaism’s provenance in errancy without territory.

But this slight neglect is the place where Heidegger is closer to the doctrinal philosophy of Hitlerism. Since, as historian Timothy Snyder has shown, Hitler believed that the Jew was a vicarious agent of technology and capital, lacking territory and place, which only after its destruction could the notion of the ‘struggle of the species’ reappear in truth and proper light [2]. It does nothing to the argument to respond that Heidegger remained detached from the racial or biological assumptions of Hitlerism. It only matters that he shared the belief of the destruction of the Jewish people, and the Jew as one of the ‘oldest figures’ (sic) of self-destruction.

The essay concludes with Nancy’s two pleas to continue thinking with and through Heidegger: first, to break away with the historical mode of progress as a world conquest made by man with “exponential finalities” and second, to reject any substantial intromission into a new “ontology”, while opening errancy against any destinial metapolitics (Nancy 58). One wonders to what extent the late Heidegger came to subscribe the second position, or if the Ereignis is the continuity of thought in banality and bad faith (Nancy seems to think the latter). It is much harder to accept the rejection of the idea of progress. Although, this is the common ground that both Nancy and Heidegger share as reject sons from the project of the Enlightenment. Yet, as we remain alert to ways of questioning its irreversibility, we know that this is still today a strong antidote against common banalities.

Notes

  1. I sympathize with José Luis Villacañas’ critique of Heidegger’s return to the Greek beginning in his Teología Política Imperial: una genealogía de la división de poderes (Trotta, 2016).
  1. Timothy Snyder. Black Earth: The Holocaust as History and Warning. New York: Tim Dugan Books, 2016.