ethic – Infrapolitical Reflections

Many interpretations of Hölderlin’s “Andenken” (“Remembrance”) have taken for granted that the hymn’s last verse might have been a paraphrasis and creative translation of Pindar’s ode Pythian 3. In the philological scholarship of the poem, it was Günter Zuntz who took notice of the analogical semblance to shed light on “Andenken” final verse as something more than mere imitation: “Never, however – unlike Pindar who does so frequently – does Hölderlin begins a hymn with a praise of the Muse, which would be an imitation, but not an analogy…the “Andeken” conclusion, “Yet what remains, the poets found” – corresponds almost verbatim to Pindar’s Pythian 3 final verse…” [1]. If we reread Pindar’s Pythian 3 from Race translation (Loeb, 1997, 263), we encounter the following verse: “Excellence endures in glorious songs for a long time. But few can win them easily”. If on Hölderlin’s side we encounter the “remnant” of the sayable in language, in Pindar’s ode we are presented with the endurance of a “glorious song” of the festivity that is carried out in struggle and forward in time.

Ignoring the common place interpretation that assumes that Hölderlin’s concluding verse is a distortion of the translation from the Greek, Zuntz goes to note that the pindaric remnant in Hölderlin’s hymn effectively “constitutes in essence an analogy – not an imitation; it rises from the affinity of spirit not from an act of self-effacement” [2]. This analogical relation with the past, and thus the memory of Antiquity speaks directly to the modality of the improper that is common to the hermeneutical debate on the poem. All things considered, and following Zuntz’s hermeneutics, we could say that the pindaric intrusion in the concluding verse is a way in which the poet is enacting the harmonious poetic creation as it finds external resonance in tradition. As Hölderlin notes in his difficult note “On the mode of proceeding of the poetic spirit” (“Die Verfahrungsweise des poetischen Geistes”): “Put yourself through free choice in harmonious opposition with an outer sphere, just as you in yourself are in harmonious opposition, by nature, but unrecognizably, as long you remain in yourself” [3]. The solicitation of the irreducible distance from the creation is always the preparatory transitional space of poetic cohabitation that rejects a notion of life consolidated in modern representation.

In this sense, the poetic spirit in Höderlin is a keeper of the analogia of the incurable separation between the language and gods; this means that remembrance is only possible because there is an abyss cured by the song. And here the maximum proximity between the German poet with Pindar comes to the forefront, as the distance that separates him from the inaccessible world of the Greek means that one cannot longer proceed from myth, but rather from the “remnant” of the festivity of the song that seeks the harmonious through expropriation with nonbeing. What “remains”, via analogia, is the flowing of the song as “capacity for the solitary school for the world” in postmythic historical time [4]. The poet does not “remember” what the substantive essence of the song as if the past is a reservoir of retrievable expenses; rather, what remains is the possibility of what must be said “amid the many things that remain to be borne in the long time and to be said in song” [5]. The song is a prelogical meandering that overflows reality because it is persistently remembered.

And yet, this is a song without ideal form, because after the tragic age of the titans “we lack song that loosens the mind” as Hölderlin notes [6]. This poetic tension conquers and frees itself from the world at the risk of absolute loss. The analogia musicae retains the highest of the divine in suspended disbelief, which according to Hölderlin occurs “at a moment when man forgets both himself and the God, and in a sacred manner, turns himself around like a traitor” [7]. Here we are already at a distance from Pindar’s verbal testimony for Hieron and glorious fame, since what “remains” is the pure event of the song that transfigures presence so that “the memory of the heavenly ones does not die out” [8].

Notes

1. Günther Zuntz. Über Hölderlins Pindar-Übersetzung (Thiele & Schwarz, 1928), 75.

2. Ibid., 76.

3. Friedrich Höderlin. “When the poet is once in command of the spirit…”, Essays and Letters (Penguin Books, 2009), 290.

4. Ibid., “Pindar Fragments”, 334.

5. Martin Heidegger. Hölderlin’s Hymn “Remembrance” (Indiana University Press, 2018), 165.

6. Friedrich Höderlin. “The Titans”, in Selected Poems and Fragments (Penguin Books, 1998), 283.

7. Friedrich Höderlin. “Notes on the Oedipus”, in Essays and Letters (Penguin Books, 2009), 324.

8. Ibid., 324.

The central contribution of American republican political thought is arguably the way it found a solution to the problem of factions, a legendary difficulty that not only has not disappeared but rather intensified in our present. For the enlightened republicans of the eighteenth century, well versed in the classical tradition and the histories of Florentine medieval strife, factionalism was the cardinal difficulty of social order; how to best deal with conflicting loyalties and the perpetuation of violence for virtuous and at times times even springing from “idleness and courage of the youth”, as told by Carol Lansing’s scholarship [1]. The existence of differences and cleavages in the society ultimately meant the brewing of an ephemeral coalitions and private masters, which, in turn, often resulted in the thorough expulsion of the enemies from the polis. These unregulated clashes of authorities and private actors was called by the fourteenth century jurist Bartolus of Saxoferrato a seventh form of government mixture: a “monstrous government”. The problem of faction will emerge for the moderns as the condition that prompts the articulation of a governmental rationality capable of constructing the homogeneity of social living. In other words, the modern classical homogeneity of the civil society is the creation of the domestication of factions as social grouping units to be obtained and arranged as an indirect power from within to transform ‘barbarism’ to civilization. David Hume’s political writings – and in particular his “Idea of a Perfect Commonwealth” (1752), which was highly influential to the Federalists, understood that the threat is of “factions” required a new framework: politics had to be reduced to a science [2]. What could politics as science entail? We are not yet in the administrative rationality and professional political vocation of Max Weber’s sociology. The scientific reduction meant a paradigmatic transformation of classical politics properly understood (virtuous, moral, and just) into an economic determination in which interests took the center stage over the combustion of the passions. The new science of politics implied a retooling of the problem of factions by decompressing the clustered interests of unaccounted and disloyal factional expansion under governmental action. For Hume the passage from passions to interests entailed a descaling of factionalism on one hand, while an expansion of a robust form of government over a large territory on the other.

However, if for Hume factions are still an impolitical unit of association that must be minimized, it is James Madison in “Federalist 10” who achieves the complete “scientific” aspiration of political construction over factions as inseparable from the Social ahead of the industrial modern economic division of labor. In fact, as Douglass Adair reminds us, this particular essay of the Federalist Papers only became important towards the end of the nineteenth century in the wake of industrialization and economic power groups; that is, at a moment when indirect economic powers began to exert their influence into the institutional and regulatory composition of the state [3]. One could say that it is only at the outset of the triumph of economic “Americanism” that the Madisonian framework on factions is situated in its proper tripartite structure: factions are conditioned by positive liberty and make up the totality of the economic interests that make up civil society. Indeed, for Madison factions as expressions of the nature of man, and their existence detail degrees of activities in civil society [4]. In a way there is no civil society without factions, and there are only factions because there is civic Liberty.

Madison even constructs a naturalist analogy: what unrestrained Liberty is to faction, air is to a propagating fire. The activity and energy of factionalism is exclusively understood as one of economic interests which, insofar as it is conditioned by positive, differentiated, and unregulated liberty that expresses the unequal distribution of property that characterizes the essence of the social. The new science of government in this framework becomes clear: the end of government is neither properly about political enmity in relation to the state nor about suppressing and limiting factions, but rather about the optimization of the effects of factions. Madison writes in the groundbreaking moment of “Federalist 10”: “The interference to which we are brought is that the causes of faction cannot be removed from that relief is only to be sought in the means of controlling its effects” [5]. The optimized logistics of factionalism displaces the modern hobbesian picture of the sovereign state to a minimalist and compensatory nature to attenuate public order against “local and particular state legislatures” [6]. The optimization of factions now appears as the dominant aspect of a fundamental cybernetics that seeks to isolate, fragment, and juxtapose the conflagration of factions without losing the barring of state energetic durability. The faction difficulty lays bare the arcanum at the center of the res publica politics: the administration and reproduction of civil conflict.

The consolidation of the cybernetic solution to the faction difficulty emerges as an upgraded version of state auctoritas whose aim is to establish a balance between public opinion as distrust over “dispute”: “communication is always checked by distrust in proportion to the number whose concurrence is necessary” [7]. If communication becomes a strict science of regulating the means of expression (itself a medium), political authority is superseded over a constant war over words and force of exchange. This means that rather than putting an end to the stasiological tension through a political mediation of the state, the problem of faction reveals that stasis becomes an instrument to manage effects, produce legislative, and translate interests in the struggle of social differences. It goes without saying that perhaps the modernist differentiation between state and civil society in light of the problem of faction loses its predominance, as an entirely new framework emerges: a monstrous socialization that takes the form of a productive stasiology given that if “men were angels no government would be necessary” [8]. The irony is that the auxiliary precautions of factions is a secularized form (or at least one could trace it to) of the ministry of the angels. This reality demands a new ethic of the passions against both the vigorous indirect struggle of factionalism (and its modern rendition in the party form) and the axiological arrangement of interests that made the foundation of the social community possible.

Notes

1. Carol Lansing. “Violence and Faction”, in The Florentine Magnates: Lineage and Faction in a Medieval Commune (Princeton U Press, 2014), 181.

2. David Hume. “Idea of a Perfect Commonwealth”, in Political Writings (Hackett Publishing, 1994), 240-252.

3. Douglass Adair. “The Tenth Federalist Revisited”, The William and Mary Quarterly, Vol. 8, No. 1, 1951, 48-67.

4. Alexander Hamilton, James Madison, & John Jay. “Federalist 10”, in The Federalist Papers (Mentor, 1961). 79.

5. Ibid., 80.

6. Ibid., 83.

7. Ibid., 83.

8. “Federalist 51”, in The Federalist Papers (Mentor, 1961), 322.