The schism of the species: theses on Dionys Mascolo’s La révolution par l’amitié (2022). by Gerardo Muñoz

1. Remembrance without restitution. The publication of Dionys Mascolo’s essays in La révolution par l’amitié (La fabrique, 2022) opens a path to a singular thinking that refused to conform to a master thinking, and even less what has come to us as political theory, or radical critique. Theory and critique have shown their resilient adaptiveness to university discourse. Thinking, on the contrary, moves annexes a relation with the missing word. This caesura negates the closure of both politics and community, it shows its insufficiency. In a letter to Maurice Blanchot regarding his ceased friend Robert Antelme, Mascolo comes to terms with this specific question: the remembrance of what loss in the actual word is – the voice of his friend Robert Antelme – what cannot be posited as a restitution of representation, but rather as effective effort to transcend mutism and silence that would have sunk writing into a pathos not short of a “miserabilist” stance [1]. The exigency of language is absolute. In an analogous way, we can say that the writing in La revolution par l’amité (La fabrique, 2022) is not a matter of restituting the history of Marxism, the intellectual debates of French theory, or even the burial site of a thinker that rejected repeatedly the metaphysical function of the public intellectual (a sort of captain at the steering wheel of public opinion, a cybernetician); but rather the remembrance that thinking is the irreductible site of common to the species. Remembrance has no “archive” and it does not produce anything; on the contrary, it invites a path to thinking in order to bring the absolutism of reality to an end.

2. The irreducibility of the species. For Mascolo – as for Nicola Chiaromonte – the stimmung of the modern age is not a lack of faith, but a bad faith subscribed by the subject of knowledge, a guardian of the nexus of legitimacy. In his practice of writing, Mascolo explored something like a countermovement to the rationality of the intellectual posture, in which communication ceases to be a common means in order to become a production of ends and instrumentality. Hence, what Mascolo called the “part irreductible” – and its “doubt in any system of organized ideas in sight” – is the only intuition of the unity of the species in communication. And if the intellectual is an organic unity of hegemony that replaces the function of the priest in the Church bureaucracy and its paideia (recall Antonio Gramsci’s “organic intellectual”), for Mascolo irreducibility in the sharing of thought in communication is “not political” as he states in Autour d’un effort de mémoire – Sur une lettre de Robert Antelme (1987). This step back from the production of modern politics thoroughly imagines another figure of communism. It is at this point where the whole Cold War polemics between humanism and anti-humanism is destituted internally: the species finds a way out of political domestication.

3. Communism of thought. We can understand why for Mascolo “the word communism really belongs more to Hölderlin than to Marx, as it designates all the possibilities of thought; that which escapes in thinking, and only that can constitute its work (oeuvre)” [2]. In other words, communism for Mascolo is not a matter of doctrine or an Idea, nor about philosophy of history and its inversion; it is not about a political subject or a unity of organization of political force; communism is a use of thought in language in proximity with what escapes in every communication. The inoperative communism, hence, is only possible in friendship, as a continuous experimentation of taste that cannot coincide with a community form. As Mascolo writes in his essay on Antelme: “We did not live in community. This is a deceptive word…we existed in a sentiment of mutual gift of freedom” (53). Any reinvention of a politics to come after the collapse of authority must commence with this rejection of a compensatory communitarian closure. Today only a conspiratio between friends can animate a new field of intensification for renewal.

4. Refusal and friendship. Even in his earliest stages of writing such as “Refus incoditionnel” (1959), the condition for friendship for Mascolo is to refuse the current state of things; to retreat from the demand of reality in order to survive in the imagination of the shared word. In this sense, the thematic of friendship does not make subjects of duty towards a social bond, but rather a secret in the word designated by separation. Friendship floats high above symbolic representation, as it moves to an inclination that is singulare tantum. If modern politics thought itself as a repression and administration of the hostis; for Mascolo the practice of friendship is the sacred space that is never inherited, but, precisely the dwelling of those who “seek” after in the wake of the homelessness of man and nature. This is analogous to Hölderlin’s allowance of thought which moves in passion while accounting for the abyss of our relationship with the world (aorgic) of originary detachment.

5. Revolution as style. In a brief text on the Cuban revolution of 1959, originally written for the collective exhibition Salón de Mayo in Havana, Mascolo says a new revolution in the island could potentially offer a the opportunity of a new style [3]. Of course, as soon as Fidel Castro supported the Soviet invasion of Czechoslovakia in 1968, it was clear that such promised crumbled, and that the Revolution will fall well within the paradigm of the metaphysics of historical project and the subject (“a new man”). But what is style? Once again, this speaks directly to Mascolo’s passion for the irreductible outside of the subject, and for this reason never alienated from the schism of the species. The notion of style relates fundamentally to our exposition to the outside, to the event of expropriation, which defines our fidelity to the invariant dimension of our character. A new style, therefore, is not something to be produced, an effect of the subject, but rather the unit of an ethical practice in our encounter with the outside. If the apparatus of the revolution was instituted as a the production of a civilization; the fidelity to a style names the modes of life that cannot be oriented towards a specific work. A new aberrant freedom emerges.

6. Saint-Just’s ethos. Mascolo never ceased to reflect on the ethical determination of politics, against politics, and for a transfigurative notion of a politics for the here and now. And he dwelled on this problem in his writings on the ethical figure of Saint-Just during the French Revolution (“Saint Just” and “Si la lecture de Saint-Just est possible”). Unlike the monumental historiographies – both left and right, revolutionary and conservative, historicist or revisionist – that situated the revolutionary under the sign of Terror and Revolution, of will power and the emergency of Jacobinism; for Mascolo Saint-Just stands a figure that keeps an important secret. And this is it: “the inhumanity of Saint Just is that unlike many men, he does not possess many lives but only one” (130). This is a concrete definition of a ethos that is irreducible to the “monstrous arts of government” in an epoch where the political had become the secularization of fate. In the same way that Hölderlin turned his gaze towards the impossible and concealed distance of the moderns in relation to truth of the Greeks, for Mascolo’s Saint-Just the legitimacy of the modern universalization (in the State, the Subject, the Social) does not have the last word. The ethos of life keeps the remembrance of an abyss of the monstrosity of historical universality and the social equality.

7. Borrowed existence. Dionys Mascolo lived at the dusk of the modern arch of the revolution, whether understood as eschatology or a conservation of the natural order of the species, as Saint-Just proposed against the Rousseaunian social contract and the Hobbesian mechanical Leviathan in exchange for authority. We have already crossed this threshold, and we are in the desert of the political, retreating on its shadow fallen into administration of fictive hegemonies. Hence, the question of an ethos of existence becomes even more pressing from Mascolo’s thematic of friendship in order to refuse what he calls in “Sur ma propre bêtise et celle de quelues autres”, a “borrowed existence in a comedy that feels as if we are being watch by God alone” (219). Indeed, as some have diagnosed with precision, the religion of our time is absolute immanence, the full disposition of the tooling of our means [4]. A cybernetic dreamworld, whose pathetic figure is the “influencer” (a few strata beneath the luminosity of the intellectual). This can only fix us into the stupidity of intelligence of the species: specialized intelligence, in other words, prisoners in the sea of nihilism. The intelligence of the species, on the contrary, is the cunning (methis) of the fox: a way out in spite of the swelling tides. But against the nihilism of a borrowed life of immanence (beatitude of the impersonal, and iconicity of things), Mascolo’s thought insists stubbornly in friendship as the initiation in an uncharted path to reenter the world once again.




1. Dionys Mascolo. Autour d’un effort de mémoire: Sur une lettre de Robert Antelme (Maurice Nadeau, 1987). 

2. Ibid., 50.

3. Dionys Mascolo. “Cuba premier territoire libre du socialisme”, in A la recherche d’un communisme de pensée (fourbis, 1993).

4. Lundi Matin. “Éléments de descivilisation. Partie 4”, Lundi Matin, 2019:

Four positions of refusal. by Gerardo Muñoz

A friend recently suggested that the refusal is at center of multiple critical positions against the moralization of politics. And I agree. In fact, I would go as far as saying that the strategy of refusal is something like a common denominator in positions critical of political mediation. Although the refusal could take many forms, I would also add that the refusal is directed against hegemony broadly understood (culturalist, political, logistical, etc.). Primarily, the refusal awakes from the dream of hegemony as contributing towards any real substantive transformation anchored in “political realism”. Realism today is mostly deployed as a freestanding argument aimed at political traction, although it merely contributes to stagnation and paralysis; it is a katechon to any concrete transformative movement of the actual moment.

It is telling that the notion of ‘refusal’ was first developed in the French political context by the likes of Maurice Blanchot and Dionys Mascolo in the journal Le 14 Julliet, a project obscured by the monumental historiographies of May 68. In his short text “Refusal”, Maurice Blanchot defines the notion as the gap in representation between an event and language: “accomplished by neither us nor in our name, but from a very poor beginning that belongs to those who cannot speak” [1]. The refusal denotes a limit to representation. Similarly, in “Refus Inconditional”, Dionys Mascolo understands refusal as the constitutive possibility of silence so that true communication can indeed take place [2]. For both Mascolo and Blanchot, the notion of refusal was the condition for the possibility of friendship preceding subjectivism. By way of refusal, the realization of a “community of the species” is guarded against the socialization of alienable classes. I think one could name four positions of refusal against the closure of hegemony as the organization of secondly separations (alienation). These might not be the only positions – and many a time there is a clear overlap of the problem at hand.

1. The refusal of culture. First, there is Mario Tronti’s “The Strategy of refusal” (Operaio e capitale), which grasps the refusal in classical Marxist terms by way of criticizing culture as resistance against capitalist form. In fact, for Tronti culture amounted to a mediation of social relation of capitalism uncapped expansion. And for Tronti, “oppositional culture does not escape this fact; rather, it merely states the body of the worker’s movement ideologies in the common clothing of bourgeoisie culture” [3]. Hence, for Tronti, refusal meant disengaging from “becoming of intellectuals” as disengaged from the practice of the class struggle. The critique of culture functioned as an inversion of mediation with no transformative leverage whatsoever. However, for Tronti ‘refusal’ was still understood as a political strategy, which necessarily needed to engage with the “subjected” force of class and organized in the party form. In other words, the refusal in Tronti’s early work was the rejection of cultural mediation by intensifying the antagonism of the autonomy of the political. There is not yet a rejection of politics, but rather the assumption that the refusal can lead the way in the destruction of capital production given the “pagan force” of the proletariat. 

2. Refusal and fugitivity. Second, there is a clear and direct strategy of refusal in Afropessimism aimed at the totalization of the social bond organized around the destruction of black existence. Hence, for Afropessimism refusal takes the form of an archipolitics that seeks fugitivity from logistics of social death [4]. As Moten & Harney argue in All Incomplete (2021): “The Undercommons is the refusal of the interpersonal, and by extension the international, incomplete in the service of a shared incompletion, which acknowledges and upon which politics is built. To be undercommon is to live insists the inoperative condition of the individual and the nation as these upon brutal and unsustainable fantasies and all of the material effects they generate oscillate in the ever-foreshortening interval between liberalism and fascism. These inoperative forms still try to operate through us” [5]. Against all forms of bondage subsidized by hegemonic sature, the afropessimist refusal opens up a fugitive life in errancy that points to a new central antagonism now framed between black life and the world. In Wayward Lives (2020), Saidiya Hartman puts it in this way: “To strike, to riot, to refuse. To love what is not loved. To be lost to the world. It is the practice of the social otherwise, the insurgent ground that enables new possibilities and new vocabularies; it is the lived experience of enclosure and segregation, assembling and huddling together. It is the directionless search for a free territory; it is a practice of making and relation that enfolds within the policed boundaries of the dark ghetto; it is the mutual aid offered in the open-air prison. It is a queer resource of black survival. It is a beautiful experiment in how-to-live” [6]. The refusal of the total circulation of social relations allocates Black existence at the threshold of politics. This negative community refuses any hegemonic social rearticulation.

3. Refusal of logistics. Thirdly, in the work of the Invisible Committee the refusal entails destituting the social bond, although the emphasis is placed in infrastructure as the concrete and operative terrain of domination. For the collective the refusal becomes twofold: on the one hand, blocking the logistics of circulation and production of subjection; and on the other, separating the form of life from the regime of subjective domestication. At bottom, the refusal in the Committee’s takes aim against the mystification of the social as a site for autonomous gain from political struggle. For both Tiqqun and the Invisible Committee one needs to refuse the artificiality of the subject (Bloom) in the name of the form of life and reject politics of class antagonism favoring the civil war as a generic science of desertion (what remains after the collapse of the authority of modern politics).

4. Posthegemonic refusal. Finally, posthegemony refuses the codependency of politics and domination, and favors their non-correspondence; it refuses politics as hegemony, and hegemony as newcomer after the closure of metaphysics.  In this sense, posthegemony favors the exit from the total structure of socialization ordered through the equivalence of demands. One could say that posthegemony affirms the “realistic option of non-cooperation” with hegemony. But the space of non-cooperation allows the exit from subjective limit of the political. The posthegemonic separation, therefore, is the refusal of cooperation on the basis of refusal of conditions of obligation (what Eric Nelson labels being “stuck on the boat”), whether predicated on a distributive conception of social justice, or as the maximization of indirect interests proper to liberalism [7]. In this sense, the posthegemonic refusal abandons the temptation of establishing a new civilizatory principle with politics as its auxiliary and optimizing tool of order [8]. 




1. Maurice Blanchot. “Refusal”, in Political Writings (1953-1993) (Fordham U Press, 2010). 7.

2. Dionys Mascolo. “Refus inconditionel”, en La révolution par l’amitié (La Fabrique éditions, 2022). 27-30. 

3. Mario Tronti. “The Strategy of Refusal”, in Workers and Capital (Verso, 2021).

4. Alberto Moreiras. “An Invitation to Social Death: Afropessimism and Posthegemony, Archipolitics and Infrapolitics”, Tillfällighetsskrivande

5. Fred Moten & Stefano Harney. All Incomplete (Minor Compositions, 2021). 29.

6. Saidiya Hartman. Wayward Lives, Beautiful Experiments (Norton, 2019). 227.

7. Eric Nelson. The Theology of Liberalism: Political Philosophy and the Justice of God (Harvard U Press, 2019). 163-164.

8. Gerardo Muñoz. “Posthegemonía, o por una retracción de los principios de la civilización”, Infrapolitical Reflections, 2020: