existence

Why is Nelly Richard afraid of infrapolitics? by Gerardo Muñoz

The dismissal of ‘infrapolitics’ as a notion to think the distance with respect to political subsumption and civil administration was there from its emergence. I remember that around 2015, Alberto Moreiras suggested that perhaps in ten years or so, given the total collapse of actual existing political frameworks in the West, there might emerge a sound moment for real and honest conversation. The wager was on the “might” at that moment. But it has already been a little more than a decade, and the apathy in many ways has only aggravated, almost in line with the increasing liquidation of politics everywhere and the undisputed swing to predatory nationalism that has made it impossible to say the big word from the previous political cycle: “populism”. In this scenario of paralysis we are a bit surprised by Nelly Richard’s strong words against ‘infrapolitics’ in her recent book Tiempos y modos (2014), in which she appears as a reasonable, at times enlightened intellectual mediator, against what she sees as the rampant philosophical “excesses” projected their categories to an otherwise expected horizon of social transformation announced by the Chilean revolt of October 2019. 

Against “infrapolitics” as a distance of thinking against political totalization, Richard claims that she wants to hold on politics and continues to call the futility of the notion: “me parece que no hay que regalarle esa palabra tan preciada a la política resevándose el prefijo infra. Me parece que es mejor preservar la política un tono que es en sí mismo el tono de una población que, eventualmente, como en el caso de lo que estamos tratando tiene, también sus continuados por otros medios, como la Convención Constitucional. En este aspecto no creo mucho en la infrapolítica. Veo en esas terminologías la paradoja de una grandilocuencia minotitaira, una especie de resta un poco suicida que complica el acceso y lacera los caminos dejando a los pobres afuera, por que no entiende bien de qué tratan esas palabras. Y entre restarse de una suma y sumarse a una resta, yo prefiero lo segundo” [1]. The overt populist intellectualism emanating from this assertion inadvertently results in the restitution of the Vanguard intellectual in full capacity to elucidate, transmit, and “accompany” the forward march of the People as a comprehensive moral totality. What today passes – and speaks in the name of – as “political realism” is short of twentieth century political pieties and belated fusionism (the Intellectual and the People), which is all too sad. 

Leaving aside for a moment the violence against the texture of language (its non-coincidence with communication), there is a deeper problem here, which is that that the contemporary affirmation of realist “politics” today is delivered with a side blackmail: the fear of remaining an outsider, of becoming an intruder, and thus, positing an “exteriority” is always inconvenient and necessarily despicable. It is antipolitical, and thus a mere abstraction of language. This is the gnostic position that must be suppressed in order for the mandarins of social articulation to stand another chance of reformulating the forms of the social contract as the telos of political reflection. In another moment of the text Richard is quite explicit of the necessity to reject ‘infrapolitics’ as merely parasitical to the “sophisticated and bibliophilic universitarian categories of contemporary theory” (she stopped short of saying of the “global north”): “Resulta más o menos obvio que no se puede abordar del mismo modo un registro de búsqueda intellectual (lo infrapolítico como ejercicio deconstructivo que puede darse el lujo de girar incesantemente sobre sí mismo en el régimen de la escritura y del pensamiento) que la formulación constitucional de un acuerdo de la comunidad sobre las formas políticas del contrato social” [2]. 

Is that all that contemporary thought can aspire, then? Another frozen and humorless, most definitely predictable instance of the social contract, the old faith in constitutionalism and normativity, inclusion and distributed abundance with its necessary communitarian anthropology and convinced that, alas, “this time” we will surely get it right? The noble ideal of Rousseauianism in Wallmapu for the twenty first century. In the declaration of updated political promises there always lurks an informant policeman that secures the any path of exit from the human park. And so we are obliged to play within the political vectors or be prepared to suffer in the isolation of the steppe. Across the aisle of the philosophers of the Social the blackmail is more or less the same. Politics or apocalypse, which remains completely oblivious to the deeply instrumentalized apocalyptic political ratio in the epoch of stagnation and polycrisis; always making demands on “lesser evils”, whether it is Mandamni in the metropolis, or the ecological transition in the EU. But we know that “politics is action, but action always invites the invention – the renewal – of a language…otherwise, it is the near-death of the left as voice, voice, provocation, unwelcome presence that remains the reality”, as a lucid art historian of our times has observed [3]. Infrapolitics is a modest step in that direction in an epoch in which the true illusion of a hegemonic politics suffices to submit and resist within social containment. 

The claims on behalf of absolute politicity explain the hatred against thought today, which is predicated on the introspective dogma that politics colors absolutely all aspects of life, and that life’s ultimate end is the stabilization of political community. Increasingly so, it is evident that the suppression of thought, in the strong sense of the word (thinking as noncalculation and poetizing), is rendered hostage to anthropological survival that does not see beyond domination and struggle, hostility and originary compensated violence, outsourcing social pressures to rhetorical inflation. In other words, on realist grounds, the assumption is that there is only politics because ultimately there has always been violence in the human experience. A hypothesis that fails to account for the interdependence of anthropological mutation for the abstract needs of social reproduction. 

This is why for the defenders of the closure of social mediations, there is no outside from it; indeed, there is literam no possibility of exodus at all, as Roberto Esposito claims in a recent book that resonates with Richard’s position: “From this point of view, human beings have no way out. Not because they run up against difficulties they cannot master but because any mastery is a subaltern expression of that which as always predominates. Thus. every avenue they take is barred by the very intention that moves them: ‘their not having a way out consists, instead, in the fact that they continually turn back on the path that they themselves have laid out; they get bogged down in their routes, get stuck in ruts, and by getting stuck they draw in the circle of their world’. Humanity cannot break the rifle of violence and find a way out – not due to the lack of strength because an outside, properly speaking, does not exist, given that violence occupies the entire field of existence” [4]. 

If violence occupies the entire “field of existence” for Esposito, for Richard it is politics what totalizes every relation into a cognizable order when it dares to speak in the name of the subaltern, the poor, or the slave under the shadow of the Master, masking its desire of inversion and thus becoming one itself. This is the narrative of constituent power and revolutionary dialectics at least since 1789. This is precisely what Christian Jambet & Guy Lardreau see in  L’Ange: Pour une cynégétique du semblant (1976); that is, the projected ideological revolution taking the manifold orienting principles of realist politicity (the historical proletariat, the People, Ecology, and even the revolution as the repetition of coming into semblance) that advances the plasticity of order [6]. Is a gnostic rupture possible against the realist discourses that hide their mastery? 

Infrapolitics has no programmatic blueprints or higher purposes in the interregnum, but at least it is committed with a certain stubbornness on the detachment of thinking and the irreducible ethics of language that is always more and always less than social domination; more originary and deeply existential than the scene of violence and its copious obsession with the readability of the public. Infrapolitics is always already in what we all do, and fugitivity is already under way on the other side of socialization. The “fear” that promotes its negation is, if anything, the symptomatic tenor that political forms take when what remains is a predictable rhetorical chatter. But on the side of opacity, we have already trespassed the blackmail of fear. It seems that we are already the outsiders: extranei a turbis aestimemur (Tertullian).

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.*Nota bene. Some Chilean friends have brought to my attention that the chapter where the mentions on infrapolitics unfolds, “Una pequeña y hermosa conjetura”: fragmentos de conversacion con Federico Galende”, is a dialogue between Richard and Federico Galende although at no moment does it become clear who is saying, asking or answering as one or the other. In a way, this chapter insofar as it is a flowing soliloquy of the two voices, authorship becomes a sort of third signature emerging as “Richard-Galende”. The ambiguity of the authorship in question, however, does not take away from the main premises of my response, which can be extended not only to Richard but also to Galende. At bottom, my response is not towards a specific intellectual project, it is registering a symptom of the contemporary philosopher emerging as a agent of the hegemonic closure of the Social.

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Notes 

1. Nelly Richard. Tiempos y modos (Paidós, 2024), 103.

2. Ibid., 99.

3. T. J. Clark. Those Passions: On Art and Politics (Thames&Hudson, 2025), 15.

4. Roberto Esposito. The Faces of the Adversary (Polity, 2026), 114-115.

On techne conversationis. by Gerardo Muñoz

There is a wonderful poem titled “Midston House”, where the now forgotten American poet David Schubert defines the poetic task as the possibility of freeing a path through conversation capable of transposing both experience and language. The verses, also quoted in John Ashbery’s lectures on “minor poetic traditions”, taking the form of the imperative read as follow: “What is needed is a technique of conversation / but not the limited vocabulary of our experience, the surface irritations which pile up, accumulate a city, – but the expression, metamorphosed, of what they are the metaphor of– and their conversion into light” [1]. This technique of conversation and the living words should not be understood as a mere transposition or vehicle for the grounding of meaning that makes exchange possible; rather it is first and foremost an ethical mode rooted in experience that can enact the clearing, between sense and silence in order for something to appear. What emerges from the cloud of the phenomena is not the blinding light of truth; what is true can only be taken as the effortless coming in what has been cleared. This is why for Schubert the task of poetic speech is concerned with coming into “light” not as an exclusive effect of language, but as the distance between language and sensation that sparks the soul momentarily, to use an eckhartian figure. 

Conversation allows for the simplification between things through a detachment in a path where the possible supersedes that of the deficiencies and needs. This fleeting state of serenity is confirmed in further verses when Schubert endorses the possibility of the eternal place of concordia: “To a place where life is simple and decent, not too demanding …That man, whose handshake was happiness” [2]. This is not a sublimated state of bliss in a subject, but the crossing over, an event, which is usually at hand distance and yet ungraspable. In this way, it becomes pertinent to assume that what Shubert mysteriously solicits as a “technique of conversation” nourished in experience but always as excess to it,  never comes to fulfill the autonomy of poetry and life, corrupted by the exclusionary modalities of rhetorical dispensation.

But the technique of conversation is the coming of the poetic at the end of its tradition; a poeticity completely aligned with Osip Mandelstam’s revocation of the value of  “poetic work” in order to recover, as the only possibility of presence, the tension that the voice lends to the contemplation of thought. In his short poetological statement, Schubert seemed to have grasped this problem when writing that “this rather unimportant novelty [poetry] is sometimes a play of possibility and sometimes a genuinely new insight” [3]. The poetic task of conversation both proceeds and exceeds life, appearing as a form of nepsis, a workable vigilance of interiority, that run through every ethical intensity. And if the poetic conversation takes the form of light, it is because its verbal illumination is far from announcing a new world; it is merely the witness to the sensation in thought that has cleared a site for cohabitation.

If the task is to measure up to a techne conversationis of language it is because the poetic tradition guarded by the age of the poet is no longer viable, since it has run astray without any possibility of legitimate restitution. In her new biography of Paul Celan, Anna Arno comments that in the early years, in a poem titled “The Arrows of Artemis”, the poet considered the Arcadian topos with great skepticism in the wake of catastrophe and historical barbarism: “….not ponder that Artemis’ arrow still lurks in the forest and in the end will strike him?” [For Celan] mythical lands provided no shelter against the shockwaves of history. Celan was declaring a new path” [4]. What is the essence of this new path? Of course, it is the path of the meridian, which in its asymptotic drift towards conversation and alterity shatters the illusion of the self-sufficient and embellished order of discourse, whether as inflationary rhetoric or as absolute muteness atrophied by delegated systems of communication. The poetic word, on the contrary, is the moment when persuasion looks at the face of the homelessness for those “who speaks truly, who speaks the shade” [5]. It is in this capitulated assortment of clearing and shadows where one can locate what Schubert called the ‘fragment of life’.

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Notes 

1. David Schubert. Works and Days (Quarterly Review of Literature, 1984), 56. 

2. Ibid., 57.

3. Ibid., “A Short Essay on Poetry”, 2.

4. Anna Arno. Paul Celan: A Life (Harvard University Press, 2026), 61. 

5. Ibid., 161. 

English and the dead languages. by Gerardo Muñoz

I still remember quite well how, a few years back at the Harvard University Bookstore, the Loeb Collection of Latin And Greek Classics, with their crimson and green covers respectively, were nowhere to be found on the shelves. And a slim store clerk when asked told me that those books on “dead languages” were no longer carried at the store. If this anecdote transmits anything is precisely the central question that still lingers from the pulsating notion of “dead languages”. What does it mean that a language is dead; if there is, in fact, such an ontological status for any language that has been traced from our past? This question returns to us today with some urgency as the most recent avatar of cybernetics, “Artificial Intelligence”, positions itself high above not just the alleged “dead languages” of the antiquity that many readers cannot longer master, but also the living spoken languages of human race as a whole. 

Prophetically, this was the problem confronted by W.H.D Rouse in a short text titled “Machines or Minds?”, and published in The Classical Weekly in winter of 1913. And as we know, Rouse, a trained philologist who translated Homer and Plato, was also the creator of the Loeb Classical Collection published by Harvard University Press beginning in 1912. The task of reviving the “dead languages” in Rouse’s program was a way to contest what he saw as the collapse of civilization in the face of rise of machine and the colonization of “leisure time”, as it was becoming a world of pure “electric force” (a topoi of modern civilization that will also finds its place in the writings of Warburg, Schmitt, and Florenski as we have recently noted ). 

In a description that resonantes in form and spirit with Carlo Michelstaedter’s forecast that the future of language will amount to an international language composed of technical terms, Rouse was more refined and precise in defining this instrumental transport by connecting the rise of science with that of English as a homogenous planetary language. Thus, inverting the assumption that “dead languages” are the defunct and no longer spoken idioms of past civilizations and archaic cultures; for Rouse it is “English”, and more specifically, scientific English that is ultimately a dead language, as it transmits nothing, as it is fundamentally detached from linguistic experience and imagination. As Rouse writes in one moment of his essay: “The very languages give what English does not give. Modern English is full of roundabouts, of metaphors without meaning, verbiage, shams; Greek and Latin are plain. The English language is largely dead: Greek and Latin are living languages. […] The scientific English sentences are all dead: they either wrap  a single sense in meaningless words, or they seem to have a meaning when they have none [1]”. The rhetorical artifice to which language succumbs expresses itself not through the use of words, signs and icons, but in a proliferation of discourse that no longer communicates anything precisely because it has communicated everything out of the fallacy of absolute representation and absorption of a flat system of wordless objectivity. In Rouse’s indictment of human decline finds its correspondence in what language’s entry into what he called the “Dagon of Science”, opening a new scenario for human historical destiny: “never was there a world that cared less for truth in speech and thought” [2].

There is a huge risk in reading Rouse’s defense of the “classical languages” (Latin, Greek) as a humanist blueprint for a forthcoming antiquarian revival, a nihilist outlook that is being fulfilled in the United States as a parodic reiteration of Winckelmann’s neoclassical imitation ideal.  Against the reification of dead languages as fictive “living entities” positioned as tools for knowledge and expertise, division of labor notwithstanding, what was fundamental for Rouse in the dead languages of the past – and in this sense, any language – is the ability of bringing about the experiential dimension of its use, thus connecting thinking and the experience without separations [3]. In other words, Rouse, very much like the last Émile Benveniste, found interest in classical languages not as a moral principle of civilization and identity foundation, but rather a site for the immediate experience between speakers embedded in a degree of the lived [4]. This is also why a poet like Eliseo Diego would state in Conversación con los difuntos (1991) reading other languages is a form of friendship beyond presence of the living. The conversation in languages is a way to keep open the passage from the living to the dead and back.

And whoever lives in language dwells in the memory and traces of all the dead languages, inscriptions, voices, and rhythms, because these contain the past as a reservoir of the figure of life. The consolidation of basic English as the hegemonic medium of communication with the return of extreme nationalism emerges, as Erich Auerbach wrote from his Istanbul exile, “to a ruse of providence designed to lead us along a bloody and tortuous path of an International of triviality and a language of Esperanto”. In this scenario, the slow annihilation of the human species takes place outside the world; that is, in the field of language, which has now become the central historical program of domination against the lived experience that connects the dead and the living. As languages become an autonomous frame of order and force, human beings’ existence is transformed into a mobile receptor of rhetoric, information, and opinion.

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Notes 

1. W.H.D Rouse. “Machines or Mind?”, The Classical Weekly,  V.6, 1913, 85.

2. Ibid., 86.

3. W.H.D Rouse. “Latin as a Universal Language”, Nature, February, 1916, 706.

4. Émile Benveniste. Last Lectures: Collège de France 1968 and 1969 (Edinburgh University Press, 2019), 67.

Pascal against the empire of opinion. by Gerardo Muñoz

In the section of the unclassified “pensées”, Pascal’s meditation on the notion of “opinion” is so incandescent that it is hard to imagine that this was, in fact, written in age of deep religious conflict, an epoch increasingly transformed by the fascination of bodies in space (this is the substance of the counter-reformation and the Newtonian thematization of the limit afterall). In particular gloss 554 strikes a tenor for our current epoch: “Power rules the world, not opinion, but it is opinion that exploits power. It is power that makes an opinion. To be easygoing can be a fine thing according to our opinion. Why? Because anyone who wants to dance the tightrope will be alone, and I can get together a stronger body of people to say that there is nothing fine about it” [1]. In the world after the fall, the intramundane system of felix culpa, is already one of dual power.

In many respects, this image is stronger than that of nihilism as the oblivion of walking upwards gazing at the abyss, because it connects the social pressure of “opinion” to that of the common ground that makes out of blindness the legitimacy of vacuous enlightenment. In the very void that truth will carve out for authority, Pascal seems to imply that the imperium of opinion will reign as a dual power of administration and mediation with the world. This is why for Pascal, force without opinion is indocile; but opinion without force amounts to the persuasion of solitude of the last man in the earth. At the heart of the groundlessness of modern legitimacy there is the necessary organization of opinion or doxa that will regulate the community of the living and the dead because ultimately its end is to master the mystery of language in its inability to name. 

Of course, Pascal thought that language could overcome the fictive empire of opinion, which in its modern avatar of propaganda is meant to design apocalyptic tendencies towards self-destruction in the course of historical development. As a “properly speaking wholly animal”, the human can only dwell in a poetic region “entre-deux”, that is, between the abhorrent light and the infinite depth of darkness, where language endures through the symbol well beyond the experience of the fallen corruption of nature. As Lezama Lima reminds us in a short essay on the French thinker, the poetic region in Pascal is ultimately the experience of language as a mystery of creation that refuses to accept the post-mythic condition of nature and human boredom that will euthanize the use of linguistic creation [2]. Now it can be said that the intrusion of the infinite chatter of opinion takes place precisely in the logged forest of speech, which consolidates its rhetorical autonomy of language away from the possibility of distance and self-constrain of the sayable. The statecraft of rhetoric is the infrastructure of the reign of opinion, because here the draining of the depth of being is supplanted by alienated voluntary participation at the very ground of nothingness. Nihilism takes a decisive step forward when language can become any differential sign to communicate what has become impossible to be said outside the cubicle of the enthymeme.

Paraphrasing the ancient wisdom of Pindar’s famous opening verse in Fragment 169 (“Law, νόμος, the king of all”), Pascal assures us of the fragility of this imperium: “An empire based on opinion and imagination resigns for a time, and such an empire is mild and voluntary. That force reigns for ever. Thus opinion is like the queen of the world, but force is its tyrant” [3]. Is it possible to separate, nevertheless, the reign of opinion from that of force; and, secondly, the circulation of force as grounded in a fabric of language that has already descended into the empire of opinion without any trace? In a way, there is no modern politics without the presupposition of the autonomy of a field of opinion integrated into “rational control”, to use the expression of American political theorist Harvey Mansfield. And even if Carl Schmitt could state in his Constitutional Theory (1928) that no democratic secular state could effectively exist out without opinion as a diffused and disorganised form of acclamation, it is now completely obvious to us that the post-liberal state configuration, persists in a constant state of the fluctuation, compartmentalization, and archic steering of opinions. What survives the utter collapse of the category of political modernity is the flattening of language into “opinion” that provides standing to the epochal anomia. 

Following classical philologists we are tempted not to ignore that in the word anomia entails not just the suspension of legislated norms and positive commands, but also the decline of the distance between existence and the divine that in antiquity, in the age of Pindar, subsisted under the notion of eunomia as harmonious attunement of the very lived experience. In other words, the consolidation of opinion is a long historical effect of the erosion of distance and perspective  that restricts the capacity to “ascertain a spiritual excitement…and if worth anything, a language, a witness to reality” [4]. To bear witness in language is a poetic enactment that, at heart of its solitude, refuses the glacial ripples of the force of opinion vested in reality.

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Notes 

1. Blaise Pascal. Pensées (Penguin Books 1995),  192.

2. José Lezama Lima. “Pascal y la poesía”, in Obras Completas. Tomo II (Aguilar Editor, 1977), 564-565.

3. Blaise Pascal. Pensées (Penguin Books 1995), 566.

4. Pavel Florensky. “Reverse perspective” (1920), in Beyond Vision (Reaktion Books, 2002), 254. 

Quod natis exitus. by Gerardo Muñoz

In Book V of his Latin Language, and immediately after commenting the duality of Earth and Sky, Varro writes an enduring and yet enigmatic gloss of worldly life. In Roland Kent’s translation from 1938 we read: “Inasmuch as the separation of life and body is the exitus, ‘way out’ for all creates born, from that comes exitium, ‘destruction’, just as when they ineunt ‘go into’ unity, it is their initia, ‘beginnings’ [1]. It is probable that Kent had to leave the latinized terms next to familiar reiteration of modern English in order to allow the text to breath in all of its complexity, for what is Varro ultimately attempting to tell us can very depending what we want to stress, and how we read in the scope of his discussion starting in section 58. Is it that life is always marked by the wound of separation with the natural world? Or that destruction and caducity (exitium) is a necessary condition for all new beginnings, as if life understood as an enclosed organism or entity is always insufficient, because of the order of excess at the very moment that it recognizes its propriety? This excess is what cannot be contained in neither life nor in social form or political mediation; it is the initia of thought in its relation to phenomena of the world but without ever being reduced in them. In this sense, there can only be a beginning in the passion that thought grants to the separation from the world. 

This is perhaps what Pindar had in mind when writing in Isthmian 8 – in clear tone of his disenchantment before political strife – of a need to return to a shared language among friends (a language that cannot be that of the rhetorical antinomies of the polis): “It is always best to look at each thing right at our feet / for treacherous time hangs over men and twist awry the path of life. But even those things may be healed by men if freedom is with them; and a man should give care to [that] noble hope” [2]. In his commentary on these lines C.M. Bowra notes that the awry and treacherous time of life that Pindar refers is not just a personal account, but rather a state of the world of his own generation and friends [3]. Politics brings to ruin; it brings fear, but more importantly it brings oblivion to the nearness of each and every thing that stamps irreducibility. But what Bowra does not thematize is the central stress of these lines; mainly, that the Ancient poet makes a plea to the examination of proximity and nearness “look at each thing right at our feet”. The plea to take care of a true life harmonized is preoccupied with this lying out before our feet is so inapparent that it provides texture and rhythm to every appearance; it is so invisible that it can disclose the very possibility of the beginning or end of a visible world. 

It seems that Pindar’s solicitation of proximity speaks to Varro’s initia; but not because there is something like a true origin or original position (a category that modern political thought later elevate to the physics of social stratification and positional distribution), but rather because another idea of “freedom” can be rethought from the excess of what appears spatially in the world; an absolute instance of appropriation beyond life. This is perhaps beautifully expressed in one of Cézanne’s most acute images of his creative process: “I breathe the virginity of the world…a sharp sense of nuances works on me. At that moment I am as one with my paintings” [4]. Before painting and creation there is a sensuous region in which the separation of objects and subjects do not longer sustain totality except as catastrophe or force.

This means that to disclose regions of life in the world is not just about the claim of autonomy and normativity of a place; on the contrary, it is the very inapparent, almost imperceptible, possibility that lies in the wrinkled proximity when we withdraw from things ad they seem. Quod natis exitus – because we are always exiled from each and every place, it is through the thinking of the inconspicuous of each and every being that revisitation of an ethical life calls on us from the outside. Ultimately, the ethical life is nothing but the imperative of «lech lechà» in a separation that unites when overcoming the deceit of time. 

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Notes 

1. Varro. On the Latin Language, Books 5-7 (Loeb Classical Library, 1951), 59. 

2. Pindar. “Isthmian 8”, in Pindar (Loeb Library, 1997), 211.

3. C.M. Bowra. Pindar (Oxford University Press, 1964), 114. 

4. Joachim Gasquet. Cézanne: A memoir with conversations (Thames&Hudson, 1991), 45.

Gethsemane as experience. by Gerardo Muñoz

There is a panel in the Museo del Prado titled “Agony in the Garden”, attributed to the French painter Colart de Laon (1377) whose religious work barely survives (this panel is, in fact, one piece from an original triptych). The scene portrays the well known stay of Jesus in the Garden of Gethsamane on the Mount of Olives, where solitude and abandonment prepares the interval for the moment of transfiguration. If anything, Gethsamane is an experience of inwardness outside itself, which the painter has marvelously captured in the figure of Jesus raising his hands in supplication to the starry skies and god. Or so we think. The crisp blue tone of the sky immediately reminds the view of the vault of the Villa Farnesina that Fritz Saxl has interpreted as the transmission of a previous pagan astrological faith in the pictorial composition. The intense blue tone coupled with the emphatic stars arrest our imagination, but also that of the humane and worldly Christ.

What kind of experience is to look up into the firmament from man’s place on Earth and the cosmos? And what are we to make of the inability of the civilized human being to look into the blue depth not as a mirror of Nature, but of the non-totalizable and irreducible experience of solitude? It must be said that in a post-mythical world, the increasing loss of the opening of the sky goes hand in hand with the boundless loss of the Earth. And this is why we are tempted to read Colart de Laon’s picture as a gesture that renders legible the passage of the same movement: the Jesus that raises his hands outwards to the sky; and, simultaneously, the dozing Jesus that inhabits the contemplative state at the center bottom of the picture. To live in the world is defined neither by the experience of the time of arrival of the sky nor by the inward experience of the soul, but by the ability of transiting from one state to the other. And only there the worldly divine can be disclosed beyond the sclerosis of form.

This might also explain why Søren Kierkegaard following the German hymnist Gerhard Tersteegen could write in a gloss of his diaries that Jesus arises from the love feat into the path of Gethsemane: “It is always this way: Gethsemane lies closest to the highest bliss” [1]. The highest place is not the moment of absolute transcendence through faith; it is the secret that for Tersteegen expresses a kenotic hymn that empties life in the direction of poverty and death. In other words, the “highest bliss” is the experience of expropriation of every life; making life and death become indistinguishable in the vacillating night. A night beyond time and without god.  

Perhaps not just the “religious experience”, but all experience has as its central paradigm, the highest bliss in the face of death in which language can only account for it in its muteness and reverence. This is not an experience of vital teleology of humanity, but of a furtive relation. “Hacía sobre ella la experiencia”, as a Chilean writer once put it in the imperfect tense. But this can only mean to do an experience on the dissolution of oneself. 

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Notes 

1. Søren Kierkegaard. Journals and Notebooks V.7 (Princeton University Press, 2014), 368.

Notes on Tetsuro Watsuji’s Climate (1935). by Gerardo Muñoz

A good place to start on Tetsuro Watsuji’s Climate (1935) is by considering how the very notion of the Japanese fudo as it appears defined in the first pages of the text, as a “structural element of human existence”. Augustin Berque has proposed a slightly different translation: the “structural moment” that speaks semantically to the prefix *-med, that also recalls mediality, metaxy, and also the French ‘milieu’. In any case, “fudo” discloses an expressive instance of existence, but it is not overtly determined cultural or historical teleologies; rather fudo like Heidegger’s fourfold (das Geviert), brings into gathering wind and earth in which existence can only appear to exist in between as exteriority. Watsuji writes: “The structure of “ex-sistence” is, thus, something rather than to exist in the reality of the cold; it is rather to exist within other persons. To designate this reality we prefer the technical relation of intentional reality, used by phenomenologists, the Japanese expression term aidagara (interpersonal)” (†27). 

Unless we know the language, we can only take Watsuji at his word when it comes to the Japanese, but all things considered it is at least obvious to say that fudo is not strictly a descriptive objective reality, but a relation of Being. Watsuji calls it a few pages later a “movement of negativity”: “…this is a ‘movement of negativity’. This is how the spatial-temporal structure of human existence comes to being like that of the climate and that of historicity” (33). The notion of existential transcendence that Watsuji wants to hold on to dwells between reality and existence, generating kimochi, or tonality / stimmung (38). The first question here is what to make of Watsuji’s typology of regional climate setting if these are not to be taken geographically or culturally as expressing locational structures for specific kimochi? 

There are three types of climate regions for Watsuji: monsoon, desert, and meadow. One could imagine that these three ideal types as environmental arrangements in the disclosure of kimochi. Each region has its surroundings. For instance, the monsoon is defined by its humidity (47). For Watsuji each of the climatic regions will fundamentally generate different forms of social organization, and it is from this perspective that he interprets the civilizational rise of the West beginning in Ancient Greece. The emergence of the polis is understood as a direct relation with harvesting and later to a social bond determined by production and struggle (war). In the most clear elaboration of his interpretation of the polis, Watsuji writes:  “With a slave system as through-point as this, the small number of people who comprised the polis were freed from the labours of the herdsman-farmer. […]. With the building of the polis one may begin to use the word ‘Greece’. If this be correct, Greece began with the conversion of the farmer-herdsman gained freedom from the restraints of nature” (82, 113). This restraint of nature is not just productive in the practical sense (attachment to agricultural life), but it is also of the order of the sensible: this is why Watsuji claims that the Greek classical culture possessed a commitment to a visuality of clearing that is ingrained in their architecture and temples in the open (115). And being in the cleared visual spaces demands the question of technique: “The life of the polis has at its center the artificial-technique in order to dominate the Mediterranean. The emergence of this form of life was the powerful instance that determined the destiny of the “West” (116). In this line, modern science is nothing but a consequential reduction of technique for the Greeks (117). 

There is definitely some ambiguity here, since later on and following Komei, Watsuji claims that the emergence of machines in the West was only possible as a retreat from cold weather in the North, and thus a product of interiority (130). Could this mean that the all-clearing established in classical Greece – with its vantage point and all too visible sculptures without oblique point of view – contributed to the later historical production of reserved interiority? Watsuji seems to contrast the clearing in classical Greece with the opaque and gloomy clime of the Germanic lands. In fact, Watsuji says later that only in the shrouds of Germany could pure music be created, where light is not so keenly embodied (141, 111). Returning to the question of existential tonality, or the kimochi, I wonder if Watsuji’s subtle yet recurrent positioning of Western destiny has to do with an originary ethical deficit that is maintained from the depths of fudo as within and outside the clearing of nature. There might be a clue about this in “America’s National Character” (1943): “The true hidden reserves are in ethical strength and not in the power of quantity” [‡]. Is living proportionally in the fudo the ability to master this ethical orientation?  

Session 2 (continued) 

Having laid out his climate interpretation of the West, I think it is fairly easy to grasp the orientation in Watsuji’s monsoon specificity as a sharp contrast to the condition of its “structural moments”. In particular, the political contrast is implicitly established – and I say implicit because Watsuji never confronts it as the guiding principle of differentiation, although it bends that way. It caught my attention that, following the scholar Kateke Fumio, Watsuji will note at the outset that Chinese (Asian) subjectivity refuses any positing of the legitimacy of the state, and especially the fiscal state (we know from Schumpeter that the modern European state is the fiscal state), and they can only flee from such submission, although they are submissive in other ways, to force (shoguns, for instance) (157). The monsoon structure, hence, has primacy over the political sphere projecting a sort of permanent stagnation for historical development. The notion of akirame or “no bearing, nothing we can do”, a sense of overwhelming resignation, becomes the social tonality of the monsoon surrounding, which ultimately (Watsuji does not say it like this, but perhaps we can push the text in this direct) entails enduring stagnation. This perhaps highlights, quite convincingly,  of a certain caducity in Watsuji’s monsoon type in our present epoch.

In the order of the political register, one could read Watsuji’s emphasis on the Japanese home in this direction; that is, the monsoon resignation leads to permanent homecoming. The monsoon region is the region where the oikos triumphed over the polis (180-181). If in the Greek world, legibility and the transparency of the grasping logos made the domestic space an exception to the social life, for Watsuji the Japanese dwelling space is not just a space of familiar gathering, it is also a cosmology and an ecology: “The Japanese consciousness took shape in the totality of the home” (184). (As a side note, I cannot but read this in light of Xi Jinping’s notion of the ‘ecological civilization’ as the master key for the planetary relevance of the CCP). Elevated to the rank of cosmology, the monsoon retreat into the home, does not become an all too easy path towards natural domestication?

In the Japanese home there is no separation – there are no locks and keys – says Watsuji, which introduces as a paradigm for a different form of sociality that differs from Western individuality around appropriation, assignation, and separability (201). This is true to some extent if we think about a spatial figure of Western civilization and enclosure, such as the castle. This is fundamentally different from the tokonama. For Watsuji, the structural moments of ambiance and surrounding generates specific mentis types, and thus concrete organizations of said space. I derive from Watsuji’s second part of the book that Western civilization revolved around the movement of total legibility and clearing (Greeks) that unfolded to separation and thus control over nature, resulting in a machine utopia as Adolf Caspary rightly called it. What about the monsoon specificity? There is retreat and resignation over the surrounding, which allows another mediation or in-betweenness with the natural world and exteriority, although this will entail stagnation in world historical terms. 

The contrast between the West and China was already well established during the Enlightenment in the writings of Montesquieu, Voltaire, and other luminaires according to Federico Chabod. In fact, Chabod claims that the civilizational divide between the West and China is crucial to understanding both [‡ ‡ ‡ ]. Asking why an ancient civilization like the Chinese had made such little progress in two centuries (XVII-XVIII), Montesquieu for instance claims that an explanation is to be found in the sacred respect of this civilizational mentis for the transmission of its tradition. It is easily inferred from Watsuji that the monsoon ambient allows for a civilization of “Wisdom” in the deep sense that it “thanks” all the elements of the tradition that it receives. This is also a form of “resignation” proper to mezuru, a form of wonder and surprise that adds nothing new. When Kojeve referred to the end of history in the form of American animality and Japanese snobbism, I think he was crediting this inner Wisdom in the wake of stagnation and released resignation. Of course, we also wonder what Watsuji will say about the “ecological civilization” driven by China’s modernizing planetary project that, if we are to believe Adam Tooze, possesses the master key for world transformation in the notion of “development”. If true, this can only entail the triumph of Western machination through the labor of its others.

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Notes 

† All pages are referring to the Spanish edition, Tetsuro Watsuji, Antropología del paisaje: climas, culturas, y religiones (Ediciones Sígueme, 2016). All English translations rendered are mine. 

‡ Tetsuro Watsuji. “America’s National Character”, Philosophy East & West, Vol.71, 2021, 1026: https://muse.jhu.edu/pub/5/article/819276/pdf 

‡ ‡ ‡ . Federico Chabod. Historia de la idea de Europa (Editorial Norte y Sur, 1967), 135-136.

*These notes are meant to accompany a summer group discussion on Watsuji’s thought, August 2025.

Desvivirse. by Gerardo Muñoz

The common Spanish verb “desvivirse” resists obvious translations. Could one translate “desvivirse” as “unliving”, “constructing by destroying”, or “fulfilled life”? It seems that none of them capture the full meaning of an expression that is anchored in practical use. It is important to note that when the term emerged in the intellectual discourse of Spanish twentieth century, its depth was intimately connected to its meaning (life, living, vocation) that it immediately took the life of a concept for cultural milieu and national character. In his lecture “Ideas para una filosofía de la historia de España”, Manuel García Morente suggested that “vivir desviviendose” was the singular form of life of Hispanic being that attained eternity while on the terrestrial world: 

“Porque lo típico del hombre hispánico es, por decirlo así, su modo singular de vivir, que consiste en “vivir no viviendo”, o, dicho de otro modo, en “vivir desviviéndose”, en vivir la vida como si no fuera vida temporal, sino eternidad. El hombre hispánico no considera la vida eterna. O la salvación del alma como el remate, término y fin de la vida terrestre, sino como remate, término y fin de cada uno de los instantes y de los actos de la vida terrestre. La salvación eterna no es para él solamente un objeto de contemplación; ni tampoco solamente una norma de conducta, sino que es, ante todo y sobre todo, lo que da sentido y finalidad concreta a cada uno de los actos en que se descompone la vida terrestre” [1]”. 

For García Morente, the specific meaning of “desvivirse” entails a tension between interiority and exteriority; and, by extension, between life and death, and in fact of death in life that leads to resurrection and a new life. He writes: “La vida del alma hispánica es un constante morir y resucitar para volver a morir; hasta que la última resurrección” [2]. “Desvivirse”, quite literally, happens at the level of the soul when life continuous through finitude and concrete death. This is why the notion of “desvivirse” has a clear theological underpenning that one can pair with the divine apocatastasis in intramundane life. “Desvivirse” is never about personal salvation and the economy of election, which is why Americo Castro would emphasize that this vocation does not align well with modern individualism, because the “vivir desvivido” experiences its own ruin like a joyous and exuberant Saturnalia” [3]. 

As in the indication by García Morente, for Castro “desvivirse” entails something like an external perspective in which life can ultimately only take place from its transcendence with a relation to what’s outside of itself. This outside is neither determined by politics nor rhetoric [4]. To live “desviviéndose” entails an intensity that persists not just as an interior affirmation of self-preservation, but as an erotic relation with what is most desired and venerated (many Spanish thesaurus of the nineteenth century would define desvivirse as “to love or desire with eagerness”, “amar con ansia”). If extracted from the cultural and identitarian historical context, “desvivirse” appeals to the object of passion that overflows the senses of human life. 

This overflow is embedded in the word itself. The great Spanish scholar of Benedictine monasticism, García Colombás, in his book El monje y el Misterio Pascual (1984), made a simple, and yet remarkable lexicographical observation about the word “desvivirse”. Colombás noted that while in most of monastic literature the prefix “-des” donates privation and deficiency, the function of this prefix in “desvivirse” suffered a complete inversion, since now it entails to love intensively and thoroughly, as in “se desvive por complacer a todo el mundo” [5]. As a theologian, it should not have passed Colombás that the term in question is a triad of three linguistic units: -des/vivir/-se. This means that it is not just that the prefix exerts the meaning of privation of “life”, but also makes room for the reflexive “se”. It is curious that in in Spanish grammar “vivirse” is often used in relation to location (i.e. “el va a vivirse al campo”), and never as a conventional reflexive action (i.e. “él quiere vivirse solo”, “el se vive solo” = this would be incorrect). Taking this cue, one could perhaps say that the inversion so keenly perceived by Colombás acts upon the living so that they can repeatedly making space for the unfolding of life, rendering possible the soul’s crossing the inside and outside in every form of life. 

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Notes 

1.  Manuel García Morente. “Ideas para una filosofía de la historia de España”, in Idea de la Hispanidad (Espasa-Calpe, 1947), 215. 

2. Ibid., 216.

3. Américo Castro. España en su Historia: Cristianos, Moros, y Judíos (Editorial Losada, 1948), 45.

4. Ibid., 279. 

5. García M. Colombás. El monje y el Misterio Pascual (Ediciones Monte Casino, 1984), 132.

Antelme’s smiling angel of Rheims. by Gerardo Muñoz

Among Robert Antelme’s posthumous writings the short text “L’ange au sourire” has a decisive place if we are to explain the transfigured theological experience of the French writer. To anyone familiar with French  architecture history the title should sound familiar, since the ‘l’ange au sourire’ was already a common expression used by French scholars of architecture during the interwar years. Charles Sarazin, arguably the most important scholar of the architecture of Reims, penned a separata titled “Le Sourire de Reims” (1929), in which he celebrated the mysterious smile of the angel Gabriel that was severely damaged due to shell fire of the Cathedral during the fall of 1914 [1]. But a decade prior to the destruction, art historian Arthur Gardner, in a detailed essay on the sculptures of the facade of the Rheims Cathedral, also took note of this angel’s gaze writing that: “…the angel Gabriel of the Annunciation in which the French smile has almost become a grin, the beginning of the contorted expressions frequently found over the border in Germany.” [2]. The particular aspect of this unique angel’s face that Antelme undresses from the cloak of authority is also wonderfully documented in the photographic book by Pierre Antony-Thouret, who also showed pictorial interest in the way that angel Gabriel was chipped in a large area of the right frontal relief (image 1) [3]. 

Image 1. Reims au lendemain de la guerre (1928), plate 52.

This curatorial context informs the historical background of Antelme’s reference to destruction and what he references as the crushed: “But not crushed by this building, or by that event, or by some power. It has always been crushed, crushed forever” [4]. For Antelme the tenuous, almost imperceptible, smile of the Angel of Rheims is what outlives absolute destruction because to be destroyed cannot be executed absolutely. It is the soul of existence that, because of its exteriority to history, is powerless “to have forever to be”.  Even if this being has become petrified and immobile from its original plastic appearance auf vif of sacred art. This is what Malraux captured in his brief mention of the  “L’ange au sourire” in The Voices of Silence (1951), where he also compares it to the Buddhist faces of Oriental sacred art (image 2): “The Smiling Angel of Rheims is a statue whose “stiffness” increased with every century; but at its birth it was a similar incarnate, a face that had suddenly come alive – like all faces sponsoring a discovery in the field of the lifelike” [5]. In order words, to see in the muteness of the face the nothingness that allows expressive relations to emerge in the open. This holds for Antelme’s description as well: “Radiant or hidden, inevitably it is there. Word, image, music: everything expresses it, and nothing. It lies at the heart of that realm where all relations are born. Forever starting anew. Possessing nothing, capable of nothing, it must be there, forever”. 

Image 2. Angel of Rheims in The Voices of Silence (1964).

But what Antelme was able to capture through the smiling angel of the Rheims Cathedral was not a problem of iconology of art forms, but rather the very essence of the theological problem of angels as it relates to the poetics of life itself. The angel is not a promythical figure scaled to a specific historical moment, but an instantiation of the divine appeals to the withdrawal the possibilities and modes of the human being. This is why Antelme can state that “the only transcendence is the relation between beings”. Even in its muteness, the theologica depth of the angel is the poetic speech of divinity through a surge in language that has no end, but only celebration or hymnology.

This is why Erik Peterson writes towards the end of  “The Book of Angels” about the intimate relation of angels in human existence: “A human being can draw near to the angels because the angel too – as its name already indicates – can draw near to humanity. […] The angels are more than poetic ornamentation left from the storehouse of popular fables, they belong to us. For us, they stand for a possibility of our being, a heightening and intensifying of our being – but for the possibility of a new faith…as a passion for mental clarity and an authentic existence” [6]. It is fair to say that, although the figure of the angel does not show again in Antelme’s work, all of his vision and witness accounts in the face of political horror must be placed in the endless vigil of a nocturnal life that is shared with the ethos of angels (utirur vigilis, angelorum vitam procul dubio meditatur). 

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Notes 

1. Charles Sarazin. “Le Sourire de Reims” (s.l.n.d, 1929). 

2. Arthur Gardner. “The sculptures of Rheims Cathedral”, The Burlington Magazine for Connoisseurs, V.26, 1914, 64.

3. Pierre Antony-Thouret. Reims au lendemain de la guerre: la cathédrale mutilée, la ville dévastée (Jean Budry, 1928). 

4. Robert Antelme. Textes inédits sur l’Espèce humaine (Gallimard, 1996), 14.

5. Andre Malraux. The Voices of Silence (Secker & Warburg, 1964), 317. 

6. Erik Peterson. “The Book of Angels”, in Theological Tractates (Stanford University Press, 2011), 139.

Worldly animism. Prologue to Josep Rafanell i Orra’s Spanish Edition of Petit traité de cosmoanarchisme (2025). by Gerardo Muñoz

Anyone somewhat familiar with the writing of Josep Rafanell i Orra knows that we are in the company of a wanderer and itinerant in an infinite pursuit of what the experiences of worlds might offer [1]. A mad endeavor for a groundless epoch oriented towards planetary reduction and confinement, so obsessed with infrastructure and security, most recently through the reiteration of the politico-theological program of national sovereignty, one more desperate reaction to unrestrained planetary decline. We can say with Hölderlin that we are vagabonds in a destitute time, a poet who figures prominently at the entrance of Josep’s Traité. In our posthistorical epoch we are confronted with the thicket over the dominion of life, which means that the question of exteriority becomes pressing as existence enacts a path beyond the endless rubble of representation bestowed upon the human species in every point of the globe.

The book that the Spanish reader now holds in his hands thanks to Luciole Ediciones will immediately let in a dimming light of a singular style or maniera that dislocates the modernist assumptions of political thought into what one could what I am willing to name an analytics of sensible hybridizations between languages and thought. This analytic of the sensible refuses immediately Social normativity as well as the melancholic hangovers of the modern revolutionary tradition (always caught up between constituent and constituted power, representation and humanism, growth and production). This is why Josep will redefine communism as the nonprogramatic event that irrupts through hybridization of surrounds and regions capable of overcoming the ontotheological adequation of subject and object that has led an entire civilization astray (33). The project of the critique of metaphysics finds in Josep’s Traité a powerful schematic cartography that raises questions precisely in those spaces where the rationality of the science of political economy has never dared to enter. 

If the critical projects of High Modernity were fundamentally temporal (including that of Messianism and its overemphasized trance towards absolute immanentization), Josep’s writing also has the virtue of displacing the focus to the spatial formation and the thinking of the creation of spaces understood as dwelling, once populated by the gods of the events and which modern ontotheology obliterated through integrated objectivation and technological positionality. We know that the greatest nearness of the last god eventuates only when the event is elevated into refusal, especially when it manages to become too near [2]. As a shorthand, this drift towards objectification in the liquidation of modern politics is domination of the Social totality; ultimately, it is through the plasticity of the social bond that the reproduction of biopolitical life is temporalized, legally ordered, and rhetorically subsumused into an apparatus of predatory accumulation. It is the Social (not the State, or this or that concept of the modern grammar of political thought, or even fascism) that we must refuse. The collapse of the modern secular state and its moral guarantees, is the beginning of an autonomized social bond that now coincides with the total administration of world forms. The hegemony of the Social reduction is what allows Josep to claim that the opposition is no longer between Society and the State; but rather between community as a process and praxis against the static formation of the Social. Thinking today drifts from social domination to communities of encounters, heteronomic relations, communication, and interdependence in a web that characterizes the exotic movement of the imaginative possibilities of exteriority for manifold worlds. 

The notion of community in Josep’s thinking is neither about ecstatic groups or “little platoons” of identitarian belonging (as once famously defined by Edmund Burke); nor referring to filiation and propriety reductions that can subsist quite nicely under the heatwaves of the ongoing conflagrations of Empire. For Josep communities insofar as they are exposed to their excess (ubermass) are processes of external contact between souls as rites of passages. The community is formless, and in this sense it ceases to be a problem of Chistological stereology in order to become one in the order of ethics and language (50). In this sense, very much like the late Mario Tronti looking at the collapse of the modern revolutionary experiment; for Josep the ruinous fragmentation of the worlds has a silver lining: that all human, and non-human, souls are dwelling on the outside world calling for worldiness, and thus potentially sharing a sense of intimacy that re-enchants the appearance and knowability of the world through the invisible attunement to the outside (un nuovo modo di essere fuori e contro) [3]. 

Beyond the subject and the narcissism of the Ego, the light of a “spark of the soul”, in the words of Meister Eckhart’s memorable sermon, a new animism returns not because there is a transcendental revelation to be asserted, but because the encounter between souls brings forth the concatenation of worlds that are entangled with other worlds (68). If Jünger described the epoch of planetary machination as “soul murder” (seleenmord) it was because there was no longer any contact with the unfathomable opacity between the soul and any possible worlds [4]. Josep with an elegant mannerist style enhances this intuition: “We are no longer exiles on Earth, as the romantic moment freighted by the loss of world. We ended up forcing the Earth into exile after so many deadly abstractions (108). The modern age has not ceased accumulating abstractions against the human species until becoming a whirlwind of soul murdering that has extended into the current ecocide of the worlds.

It does not come as a surprise that throughout Petit traité de cosmoanarchisme (2023) Josep appears more than skeptical about political critique (and to say skeptical might be an understanding). There is a clear imperative that is mobilized in the book and that it should not be taken for granted: political critique should evolve into the negation and abandonment of politics, which also includes the always anachronistic anarchist politics. We know that ever since the Greek polis the autonomy of politics partition and distribution was waged against the incommensurable topos of the chora, the ungovernable and infrapolitical hinterland of the new substantive community of rights and obligations posited by the logistics of representation [5]. As we know, this is what forced Heraclitus to resolutely remain playing knucklebones in the temple of Artemis: “What are you gaping at, you scoundrels? Or is it not better to do this than to work with you on behalf of the polis?” [6]. The knucklebones of the ancient anecdote of the presocratic philosopher is symbolic to what Josep demands of existence: the liberation of environments and surrounds for multiplicities of experiences. The experience of gaming always starts in the middle, expressing the ineffable ethics of how I become what I am already on my way of becoming (142). The maximization of politics into the very thicket of life (this is biopolitical administration) have increasingly defaced the experiential practice of existence that now extends over the course of the historical dispensation of civilization. This is the vortex of the struggle against the realist validations in the interregnum. 

Against and beyond the force of abstraction and the prison of individuality, Josep situates the stakes: “It is there, where the fierce struggle we can lead today: to find the intimacy of our soul in the welcome of other souls to hear their silences and their voices. To participate in the animation of the world is to perceive the outside. And gently find the inside of the outside” (145). And between the process of the community and the soul there is no longer struggle or enmity, but only solvent philia; the influx of creation that, insofar was enmeshed in solitude, allows pain to speak in the time of transition, in the skirmishes between worlds. Ultimately, the experience of the itinerant is not that of learning to live in places; rather, it is the one that intensively yearns the presence of encounters. This remains the only ethopoetic imperative [7]. As Carlo Diano observed in an erudite study on the notion of the chora, the attunement of the soul with the world is not a conceptual entelechy; it runs materially through the sensorium of this body as it traverses the world towards its renewal [8]. To grasp this chiasmic region that dispenses the harmony of the soul as it flees the prison gates of an objective world, is the enduring letter and spirit that Petit traité grants to the ongoing task of thought. 

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Notes

1. Gerardo Muñoz. “Escuchar las llamadas del mundo: diálogo con Josep Rafanell i Orra”, Disenso: Revista de Pensamiento Político, N.3, July 2020, 134-158. 

2. Martin Heidegger. Contributions to Philosophy (Indiana University Press, 2012), 329.

3. Mario Tronti writes in “Disperate speranze” (2019): “È necessario trovare un nuovo modo di essere fuori e contro. Io posso farlo nel solo modo in cui so farlo: tirando l’arco al punto che permette di cogliere il bersaglio più raggiungibile. Realistica visione.”. CRS, October 2019: https://centroriformastato.it/disperate-speranze/ 

4. Ernst Jünger. The Forest Passage (Telos Press, 2003), 93.

5. Julien Coupat. “Dialogo con i morti”, in Gianni Carchia’s Orfismo e tragedia (Quodlibet, 2019). 

6. Martin Heidegger. Heraclitus: The Inception of Occidental Thinking and Logic (Bloomsbury, 2018).

7. Josep Rafanell i Orra. Fragmenter le monde (Divergences, 2020), 70.

8. Carlo Diano. “Il problema della materia in Platone: la chora del Timeo”, Giornale Critico della Filosofia Italiana, V.1, 1970, 335.